Skip to main content

Hello. It looks like you’re using an ad blocker that may prevent our website from working properly. To receive the best experience possible, please make sure any ad blockers are switched off, or add https://experience.tinypass.com to your trusted sites, and refresh the page.

If you have any questions or need help you can email us.

Theatre Review: Shirley Valentine revival serves up stale taramasalata

The story of a bored Liverpudlian housewife finding love on a holiday to Greece now feels very dated

Sheridan Smith bows at the curtain call during the press night performance of Shirley Valentine at The Duke Of York's Theatre (Photo by Dave Benett/Getty Images)

Shirley Valentine
Duke of York’s Theatre, London, until June 3

I’ve reasonably fond, if distant, memories of the late 1980s film version of Shirley Valentine and even the play that preceded it, but I’d never normally have dreamed of sitting through either again. The story of a bored Liverpudlian housewife finding love on a holiday to Greece now feels very dated.

This doesn’t seem to have occurred to Willy Russell, Matthew Dunster or Sheridan Smith, respectively the writer, director and star of this predictably tedious stage revival.

Poor old Smith, playing the title and only role, has such a cod Liverpudlian
accent that she gets an unsolicited laugh the moment she opens her mouth. She goes on to talk about things that anyone much under 50 would have little or no knowledge of – the dashing suitor in the old Milk Tray adverts, Trevor McDonald reading the news and a television series called Dynasty – and it all seems now not just tired and unfunny, but also patronising, if not actually offensive.

Russell’s portrait of a dimwitted northern housewife – she doesn’t know how to say taramasalata and thinks it’s very exotic that people could ever consider eating squid – seems even more sneery when it’s played not by an authentic Liverpudlian, but an actress from Epworth in Lincolnshire.

The play requires us to cheer Shirley on when she finally finds the willpower to get out of her kitchen and boring marriage and head off to sunnier climes, but the only wonder now is why it took her so long.

Paul Wills’ design is, however, impressive, though why he should have wanted to have done up Valentine’s kitchen in the first act in salmon pink and cucumber green – matching what she’s wearing – I have absolutely no idea, unless it’s some sort of in-joke about the colours of the Garrick club just around the corner from the theatre.

What makes me saddest of all about a show like this is that when theatre needs to appeal more than ever to young audiences, it’s still hung up about baby boomers – and I doubt even many of us would want to voluntarily sit through all this again.

Hello. It looks like you’re using an ad blocker that may prevent our website from working properly. To receive the best experience possible, please make sure any ad blockers are switched off, or add https://experience.tinypass.com to your trusted sites, and refresh the page.

If you have any questions or need help you can email us.

See inside the Welcome to the Brexshit Isles edition

Anoushka Lucas and Arthur Darvill in Daniel Fish’s reimagining of Oklahoma! Photo: Marc Brenner

Theatre Review: This Oklahoma! is so not a beautiful evenin’

This has been said to be a dark reimagining of the old classic, but it is taking the word too literally

Author Terry Pratchett, 1996. Photo: Martyn Goodacre/Getty

The stories of their afterlives

Should undiscovered Terry Pratchett stories, and other posthumous work, be published?