Theatre

A once sexy, sassy and sensational production is now showing signs of aging

The production adopts an ambitious task of trying to get the audience to feel for two German-American teenagers who fall in love in a Nazi summer camp, and falls short

This play presents another example of a risk averse post-pandemic West End and it should do better than that

A play about immigration that shakes away smugness, with a powerful over-arching message - be kind.

By and large, classic films should not be rehashed as stage productions, writes TIM WALKER. But, this musical makes an exception.

While the show has its successes and has the power to save the West End, it leaves audiences cold, writes TIM WALKER

Inevitably funny and sad simultaneously, a 5-star review for a production that doesn't shy away from political issues

A seamless musical experience from Des McAnuff where it is a hard task not to have a blast

The revolving stage is the star of this so-so show from Andrew Lloyd Webber and Emerald Fennel

Kae Tempest's Paradise can only stir up a storm in a teacup

Nick Payne’s Constellations makes for a long evening and a theatrical let-down

Lucy Bailey's production of Oleanna shows the play has not ages well.

Jonathan Church’s production leaves audiences out in the rain with a three-star performance

Post-lockdown audiences are treated to a fun-filled evening, courtesy of Jason Donovan and Alexandra Burke

Anything Goes with Robert Lindsay and Felicity Kendal makes for a 5-star theatre experience, despite the kooky plot

Those who feared that taking on the Dane at the age of 82 would be a mistake can rest easy - this is a triumph

Tim Walker reviews South Pacific at Chichester Festival Theatre and Be More Chill at Shaftesbury Theatre

TIM WALKER reviews a theatre production that held its own against the drama provided by the Three Lions

TIM WALKER on an ebullient show that creates an emotional occasion

TIM WALKER on a musical production which ticks many boxes, but leaves uncomfortable questions in the way it treats the issue of suicide Heathers The Musical Theatre Royal Haymarket, London; till Sept 11 *** It’s almost axiomatic that edgy, cutting edge theatre will cause offence in some quarters. Productions such as Hair – the musical that came […]

TIM WALKER reviews a cheering show breathing fresh life – and fun – back into theatre Showstopper! The Improvised Musical Garrick Theatre, London **** Playing the first Monday of each month Theatre professionals have long been aware of the need to attract younger audiences and the pandemic has given this a new impetus. Even with their two […]

TIM WALKER on Amélie the Musical at the Criterion Theatre in London. An admirable effort, but for what purpose? I counted 16 cast members on the stage in Amélie the Musical and I was stunned. It’s the sort of thing that, before the pandemic, I would have taken for granted. Now, I find myself fixating on the arithmetic: West […]

Tim Walker gives three stars to Walden at the Harold Pinter Theatre in London until June 12 To say that Stella and Cassie are sisters who have grown apart is an under-statement. Cassie (Lydia Wilson) is a celebrated astronaut who’s just returned from a year on the moon. Stella (Gemma Arterton) has, in the meantime, […]

TIM WALKER on one of the few pieces of ‘serious theatre’ to get going after lockdown Reasons You Should(n’t) Love Me Kiln Theatre, London ***** Don’t let anyone kid you that theatre is coming back in leaps and bounds. We’re talking at best about small, hesitant, faltering steps. There’s the occasional costly stumble, too, as […]

Theatre reviewer TIM WALKER sees an old favourite returning to the stage after lockdown The Mousetrap St Martin’s Theatre, London ***** There was a lot of talk of a new kind of theatre emerging after the lockdowns – edgier, more relevant and representative – but maybe, after a traumatic experience, there’s something to be said […]

Jason Solomons looks at how Anthony Hopkins and Olivia Colman helped take The Father from French fringe play to the Oscars It started life as a one-set play in a fringe theatre in Paris. Nine years later, The Father is now, as they say, a major motion picture and a very strong contender for this […]

Britain needs its theatres back because Britain IS theatre – a country obsessed with role-playing When I stumbled on the English National Opera’s rendition of Handel’s Messiah recently and watched it for a while, I suddenly burst into tears. There, in the empty London Coliseum where the ENO were performing amidst the shadows of the empty […]

Bill Kenwright’s Love Letters and the National’s After Life have announced opening dates – but a full return for the London stage seems as far away as ever As a theatre critic, I am sometimes asked when am I going to start reviewing theatre again. It is not an unreasonable question, especially now that there appear […]

A recent decision to remake The King and I musical is a striking one, given the production’s politically incorrect undertones and unpopularity in Thailand. Just in time for the 70th anniversary of the Broadway premiere of the Rodgers and Hammerstein musical The King and I later this month, Paramount Pictures revealed it had purchased the rights to create a […]

TIM WALKER reviews Love Letters, at the Theatre Royal, Haymarket, until February 7 (run currently paused). Theodore Roosevelt got it right when he said that it’s not the critic who counts, but the man who’s actually in the arena. I found myself recalling the American president’s words when I saw Bill Kenwright in his socially-distanced seat at the opening […]

Theatre critic TIM WALKER reviews a new production of Jack and the Beanstalk, which can be viewed at selected cinemas and online Heaven only knows what Peter Duncan’s neighbours made of what they saw going on in his garden in recent months. The former Blue Peter star got it into his head to make a Christmas panto that […]

Tim Walker on how online is not what theatre should ever be about. The great theatre impresario Bill Kenwright used to get cross with critics who, having requested two tickets for an opening night, showed up on their tod. On such occasions, he took empty seats as an insult and understandably so. I thought about […]