Theatre

One heckled at a performance of Bloody Difficult Women during some less-than-flattering comments about the former prime minister. Such is an occupational hazard of putting on political theatre

Andrew Keates' Steve isn't quite funny or sad or clever enough to command an audience's attention

Nadim Naaman's adaptation of Khalil Gibran's novel Broken Wings is worth a lot more than the sum of its parts

Writing a play about two female rivals led to a depressing realisation about who really wields power in Britain

This stage adaptation of John Travolta's famous 70s film is magnificent, joyous, life-enhancing theatre

The production is absorbing. But is it quite as clever as it seems? and, where does French playwright Florian Zeller go from here?

The production is an example of a writer who is overcome by the sheer enormity of trying to put Emily Bronte on stage, says TIM WALKER

This play's stars do their best with a chatty, speculative and somewhat credulous script, says TIM WALKER

TIM WALKER is impressed by Lia Williams' taut and efficient production

The Downton Abbey actress shows Gardner, rather than keeps telling us about her, writes TIM WALKER

Alistair McDowall's production is just incomprehensible, writes TIM WALKER

CHARLIE CONNELLY on a Jewish actress who considered a kick in the behind from Hitler the luck of her life

A stage adaptation of Pierre La Mure's novel lacks wit and intelligence, writes TIM WALKER.

At 75 minutes, this is a relatively short play. Nonetheless, you still find yourself asking “Is there much more of this?” writes TIM WALKER.

This play based on a 2014 film feels like unnecessary and somewhat frivolous theatre, says TIM WALKER

This online panto embraces the new format while keeping all the old traditions alive and well, says TIM WALKER

James Graham’s plays feel as if they’re about little more than actors regurgitating vast quantities of Wikipedia, says TIM WALKER

The play is as chaotic as the times we are living in, and offers some much needed laughter.

Powerful and poignant, the production is the National Theatre at its best.

Producer Bill Kenwright understands that the theatre is a place to laugh, and no more so than after this last year.

This mesmerising and captivating production is as breathtaking as the film.

The highly accomplished actor drones on and provides a bore of a performance.

The Charles Dickens classic has been staged for the fifth time, and still speaks to modern audiences.

One day, great plays will be written about far-right groups, climate change and racism, but Manor is not one of them.

This Jane Austen parody is hard to critique... as the cast has clearly predicted every criticism they could receive.

Zadie Smith's modern, relocated take on Chaucer's The Wife of Bath is a bold reimagining.

A Samuel Beckett double-bill portrays the challenges women face across the different stages of their life with triumph.

The show's ending may be sloppy, yet sentimental, but it's the production's looks that captivates audiences.

Roxana Silbert adapts Marsha Norman's Pulitzer prize-winner novel for the stage to portray a sensitive issue superbly.

The show began it's life as a podcast. But, it simply doesn't translate to the stage.

Dino Kelly, who plays Mili, is a name worth remembering as TIM WALKER predicts he's set for stardom.

It may be a homage to life on the set of Jaws, but the absence of a shark means the production lacks bite.