Theatre
Slave Play is an absolute must-see
Our editor-at-large’s rundown of the pick of the week’s theatre, books and streaming
Theatre
Theatre
A show that knows optimism is back in the air
The Voice of the Turtle is stylish, compelling and romantic
Theatre
The Constituent is a waste of James Corden
A flat script does Anna Maxwell Martin no favours either
Theatre
The perfect show for a warm summer night
The Secret Garden is assured and stylish
Theatre
The Bikeriders is an instant classic of the genre
Our editor-at-large’s rundown of the pick of the week’s cinema, theatre and books
Theatre
A very British scandal
At 75 years old, Emlyn Williams’ Accolade is all too relevant today
Theatre
A visceral tale of violence and revenge
The Bleeding Tree is startling and compelling
Theatre
Sexism, secrets and the Mendelssohns
A sublime look at a hidden musical prodigy
Theatre
Spider-Man in Shakespeare will have you crawling up the walls
Tom Holland is let down by a bizarre staging of Romeo & Juliet
Theatre
Boys From The Blackstuff’s message remains all too relevant
A stage revival of the TV classic still packs a punch
Theatre
Withnail & I has fresh life
Our editor-at-large’s rundown of the pick of the week’s theatre, television and books
Theatre
A Twelfth Night to remember
On a warm evening, Regent's Park Open Air Theatre is the best in the capital
Theatre
Love Lies Bleeding is a foot-to-the-floor neo-noir thriller
Our editor-at-large’s rundown of the pick of the week’s cinema, theatre and television
Theatre
Take a raincheck on Chekhov
The Donmar’s Cherry Orchard is modern, radical and exquisitely boring
Theatre
Machinal is joyless and pointless
Tell your more pretentious friends you loved this nihilistic drama - but don’t bother watching it
Theatre
PJ Harvey’s Thames musical is a damp squib
London Tide meanders along without knowing what it wants to say
Theatre
Why is Shakespeare more controversial than ever
Casting decisions put the Bard at the centre of debate about Britishness
Theatre
The phenomenon Ian McKellen defies time in Player Kings
An 85-year-old delivers vulnerability beneath the bravado in an astonishing late-career performance
Theatre
Roland Topor: The polymath who made a career out of the grotesque
A dream provided an epitaph inadvertently appropriate for a man who spent his life producing art and literature that shocked and appalled the unsuspecting
Theatre
Matthew d’Ancona’s Culture: Long Day’s Journey Into Night is breathtaking
Our editor-at-large’s rundown of the pick of the week’s theatre, television, books and cinema
Theatre
In Nye, British theatre goes beyond history
This production at the National Theatre gives Nye Bevan the Churchill treatment
Theatre
Theatre Review: Sheridan Smith is mesmerising as a musical star in crisis
Opening Night is intelligent, unusual and unforgettable
Theatre
Michael Sheen’s Nye is the opposite of its subject – uninspiring
A show that celebrates the NHS is worthy, surreal but seldom involving
Theatre
Great pretender: Billy Crudup is a revelation in Harry Clarke
The Morning Show star shines in a tale of deception
Theatre
Theatre Review: A standing ovation for the immersive Guys & Dolls revival
Brave audience members can choose to get right in the thick of the musical’s action
Theatre
Matthew d’Ancona’s Culture: An Enemy of the People is a very special production indeed
Our editor-at-large’s rundown of the pick of the week’s theatre, books and cinema
Theatre
Theatre Review: His films were horrific.. and so was his acting
But Double Feature’s tale of Vincent Price’s clashes with a director is a misfire
Theatre
Matthew d’Ancona’s Culture: Dune Part Two is even better than the first
Our editor-at-large’s rundown of the pick of the week’s film, TV and art
Theatre
Theatre Review: A fidgety encounter with Keeley Hawes
The Human Body, also starring Jack Davenport, is a confused homage to a David Lean classic
Theatre
Matthew d’Ancona’s Culture: The Picture of Dorian Gray is unmissable
Our editor-at-large’s rundown of the pick of the week’s film, TV and art
Theatre
Theatre Review: Matt Smith is electrifying in an Ibsen classic with a very modern message
The former Doctor Who’s second-act speech in An Enemy of the People is a tour de force
Theatre
Review: A farewell to the ENO
It’s leaving London and going out on a high