Television

Despite some great performances, narratively there is not much at the heart of this Danish comic drama

A new Spanish Netflix series asks what privacy in the modern age looks like, especially when all too often the little we have gets betrayed

For a Gen-Zer, Nick Hornby's marital vignettes are reminiscent of late-night and wine-filled debates with family members

Megan Nolan loves a bad rom-com, but this latest Netflix effort is stupid and hateful

This Netflix film about a Danish restaurateur could have done with being much worse or much, much better

The story of Sweden's first celebrity gangster is a sub-Tarantino gushing glorification

Comedian MITCH BENN on the inevitable reaction to Ncuti Gatwa being cast as the next Doctor from the inevitable quarters

BritBox's latest is a perfectly pitched and painfully funny new addition to the canon of works about Irish alcoholism

There’s been a significant semiotic shift on planet Kardashian - the name of the show has changed!

This Polish erotic thriller is such an oddity it will make you question whether it's actually a film at all

A new Netflix film is a worthy and sometimes dazzling new addition to the canon of horrifying ballet depictions

Netflix's new Amsterdam-set drama addresses the potential tedium of over-familiarity with sex, as well as its liberatory capacities

I, Claudius is remembered as a BBC classic, but it started a trend for historical European-set dramas with extra helpings of sex and violence

This Welsh detective drama is a restorative tonic to the kind of frantic television seen elsewhere

The actual stand-up in Netflix's new dramedy is rarely as funny as it is supposed to be, but the characters are so vivid it barely matters

The German version of Netflix's hit makeover series looks cheaper and more like a world I can recognise, says MEGAN NOLAN

The Promise has an excellent cast but the plot is subsumed by the standard demands of a detective show

A new romantic comedy series is warm and funny without undermining the seriousness beneath its central questions

Despite all the artistic licence in the world and interesting source material this Netflix series is over-long, draining and empty to watch

With Briton Dave Ryding going for gold in Beijing, now's the perfect time to celebrate the 44 years of a BBC institution

A Netflix film poses a pivotal question – are any two people meant to be together, or is it just a matter of timing?

Fifty years on from the flop film version that became a cult classic, taking another ride along with the psychedelic French-British TV sensation for kids

The BBC’s three-part dramatisation of the notorious case of Argyll v Argyll is a scandalous tale of egoism and hypocrisy.

Aspects of the show depicting the Bill Clinton and Monica Lewinsky affair seem so odd, different and plainly wrong that it feels like science fiction.

WILL SELF on the politics behind the nation's beloved baking show.

The story carefully, and cleverly, portrays domestic abuse, making it one of the more worthwhile Netflix originals of late

An attempt to breathe new life into the American drama from the noughties falls short

New BBC series Ridley Road shines an uncomfortable light on the UK’s fascist revival, which took place less than 20 years after the end of the war.

WILL SELF on reality TV programmes that are so bad, they're good

The show has a glittering cast, dripping in talent. But, this all comes together to amount to nothing, writes MEGAN NOLAN

Both Succession and The White Lotus examine how the other half live with a satirical eye which makes for pleasing watching, writes MEGAN NOLAN