Review

Uberto Pasolini’s new film adaptation of the Odyssey is a psychological exploration of trauma in a world where the gods are absent

The TV series is back with an opening episode on the corrosive power of technology firms. Can we do anything about it? Or will they inevitably get us all?

An enigmatic Berlin exhibition inspired by Les Fleurs du mal misses the heavy velvet curtains and perfume and the sense of intoxication

From Titus Andronicus to Goldfinger and Dolores Umbridge, the deranged president resembles a rogue’s gallery of literary characters - and none of them are heroes

Directed by Darren Thornton and co-written by his brother Colin, Four Mothers is more ambitious than a gentle drama

Should political leaders really base their world view on television shows they’ve streamed after work?

A new exhibition at the University of East Anglia celebrates the art of keeping your head above water

The comic dilemmas in The Studio are a joy to watch and class of Seth Rogen and Evan Goldberg's writing style

The Royal Academy celebrates 10 Brazilian artists hugely influenced by Europe

Widowed, gravely ill and with three children under seven, the artist somehow managed to reinvent her work

Barry Levinson’s true-crime gangster story is a pleasing encapsulation of five decades of cinematic culture

Hans Coper fled the Nazis - and found a post-war state ready to sponsor art as it rebuilt the country

Forty years since his first feature film, Steven Soderbergh has rarely been better

Hollywood on the Tiber lifts the lid of Rome’s riotous postwar film industry

The imaginative liberties on show here are the trademark of director Thomas Ostermeier

Marjorie Watson-Williams changed her name to Paule Vézelay, her home city from Bristol to Paris... and then set about changing art

Hayley Atwell can’t save a witless update of Much Ado About Nothing

Francis Picabia was derided for wartime nudes with a worryingly Aryan aspect. But a new exhibition of later work suggests we may need to re-evaluate him

Robert De Niro, in his first regular television role, is extremely entertaining in Netflix's pacey riff on hypermodern cyberwarfare

The third instalment of Mike White's acclaimed series is back with its usual love of mystery, lurking lust and dark humour

The populist commentator’s book on UK universities is filled with unoriginal argument, cherry-picked evidence and enormous self-regard. If he truly believes what he’s written, the only suitable response is pity

The ancient city of Palmyra was shattered by Islamic State. Now a Syrian artist is rebuilding it on her computer

Tim Fehlbaum takes a journalistic approach to his account of the terrorist massacre at the 1972 Munich Olympics

The man who played Freddie Mercury stuns in an Oedipus revival

Starring Marianne Jean-Baptiste, Mike Leigh’s comedy drama is an artistic masterclass in what cinema can do

Brady Corbet’s all-consuming portrayal of László Tóth’s life and work is epic in form, theme and ambition

There were at least six orchestras at Auschwitz-Birkenau. Eighty years after the camp’s liberation, most of their music has been lost to history. Can conductor Leo Geyer change that?

A revival of two of his best-loved plays from the 1950s have plenty to say today

At the start of the 20th century, Paris and Barcelona were united by modernist art. Then came a shocking, public suicide

In this audacious biopic, Timothée Chalamet brilliantly captures the spirit of the original disruptor, Bob Dylan

How prewar Germany turned an embassy close to Buckingham Palace into a temple to Hitler’s ideology

A new exhibition recalls the litany of catastrophe that has afflicted the world for centuries