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The ancient city of Palmyra was shattered by Islamic State. Now a Syrian artist is rebuilding it on her computer
Damien Hirst’s work is stale, insular, highly lucrative. Why were we ever taken in by him?
A new futurist exhibition, Breaking Lines: Futurism and the Origins of Experimental Poetry, offers a warning about alliances with fascism
At the start of the 20th century, Paris and Barcelona were united by modernist art. Then came a shocking, public suicide
A new exhibition recalls the litany of catastrophe that has afflicted the world for centuries
2025 looks like being an outstanding year for art
The populist commentator’s book on UK universities is filled with unoriginal argument, cherry-picked evidence and enormous self-regard. If he truly believes what he’s written, the only suitable response is pity
The original great European cookbooks may be filled with recipes that we no longer use, but they take us back to the past in a poignant way
A sumptuously illustrated book of interviews with the director reveals his extraordinary love of the monumental
A compilation of European literature, compiled by the son of Thomas Mann, is a reminder of the continent’s cultural power
At the late former deputy prime minister’s funeral, it became clear that Britain could do with some politicians like him today
The Slovenian writer who defied the Gestapo during an eight-year journey round the world holds lessons for us all in the era of Trump
Her career as one of the world’s leading operatic sopranos often came second to gushing entreaties to her ravishing appearance
Cherished and controversial, Sanremo is Eurovision… but turned up to eleven
Her association with the Rolling Stones meant she was dismissed as a ‘muse’ – but she overcame misogyny and drug addiction to become an experimental artist of rare breadth
Photographer Simone Nanetti’s haunting images of Italy’s abandoned nightclubs
There were at least six orchestras at Auschwitz-Birkenau. Eighty years after the camp’s liberation, most of their music has been lost to history. Can conductor Leo Geyer change that?
From catchy pop hits to far right death threats and knife attacks – the shocking story of the Swedish pop group
The third instalment of Mike White’s acclaimed series is back with its usual love of mystery, lurking lust and dark humour
A sumptuously illustrated book of interviews with the director reveals his extraordinary love of the monumental
Tim Fehlbaum takes a journalistic approach to his account of the terrorist massacre at the 1972 Munich Olympics
A new film about an architect who survives the Holocaust is a stunning achievement, and one with deep resonance for our own time
Starring Marianne Jean-Baptiste, Mike Leigh’s comedy drama is an artistic masterclass in what cinema can do
Conclave is racking up award nominations. But the machinations surrounding Pope Francis are every bit as intriguing
The man who played Freddie Mercury stuns in an Oedipus revival
One chance encounter transforming a life is rare enough. Guilbert enjoyed two a few days apart
A revival of two of his best-loved plays from the 1950s have plenty to say today
Death of England, one of the cultural highlights of 2024, is coming to streaming. But what’s next for playwright Roy Williams?
The Little Foxes confirms Anne-Marie Duff as a true great
Sigourney Weaver shines in her west end debut in Jamie Lloyd’s powerful new production of Shakespeare’s final solo-authored play
At a time when cyclists had begun to resemble machines, Pantani was almost impossibly human, unable to conceal his emotions
Her career as one of the world’s leading operatic sopranos often came second to gushing entreaties to her ravishing appearance
One chance encounter transforming a life is rare enough. Guilbert enjoyed two a few days apart
Little blame can be attached to André Roussimoff for exaggerating the truth of his stories because everything about the wrestler and actor was already exaggerated
The footballer was the toast of the Viennese coffee houses, the intelligence of his play being praised in the same terms as poets
Many directors might not have scaled their creative heights without Ponti’s recognition that one could make daring and challenging cinema and still turn a profit