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Will Self

What The Crown tells us about the monarchy… and what it doesn’t

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Just who is Evelyn Grace?

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Why I identify as a Sainsbury’s man

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How the pandemic has changed our attitudes to music

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WILL SELF: Two places where everyone knows your name

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The welcome return of Radio 4’s News Quiz audience

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Why Armenians are understandably anxious

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Why Matt Lucas’ spoof of Boris Johnson on GBBO felt soggy

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Will Self: The threat to chimpanzees

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WILL SELF: What gaming tells us about the human condition

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WILL SELF: Going back to school in a Covid world

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WILL SELF: The enduring appeal of Angela Lansbury

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WILL SELF: How coronavirus has changed our cityscapes

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WILL SELF: Just what is it with the government’s ‘ramping up’ mantra?

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WILL SELF: The anxieties surrounding the reopening of our art galleries

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WILL SELF: Is this the end of the theatre as we know it?

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WILL SELF: Why silent movies reign supreme

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WILL SELF: Only coffee culture can restart our economy

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WILL SELF: London’s jazz scene scores its divisions and its unity

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WILL SELF: The Archers’ struggle to remain relevant during the pandemic

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WILL SELF: A multicultural man on the new culture wars

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WILL SELF: Why is the Church of England so absent in this crisis?

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WILL SELF: Interpretations of art, and why artists tend to resist them

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WILL SELF: Might we be living in a Rick and Morty universe after all?

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WILL SELF: The ‘reverse Darwinism’ effect on our society

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WILL SELF on the symbolism of skyscrapers

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WILL SELF: The impact of the coronavirus on our dreams

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WILL SELF: Has pandemic Britain rendered humour impotent?

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WILL SELF: Science doesn’t provide all the answers; ministers need solutions too

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WILL SELF: How the lockdown is bringing London’s history back to life

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WILL SELF: Coronavirus will hit the poorest the most

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WILL SELF: The thin line between us and fate

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