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Tim Walker

Theatre Review: The Corn is Green is mind-numbingly tedious old hokum

The problem with Emlyn Williams’ story – the talented, impoverished young lad in a mining town being recognised by a plucky teacher – is that it’s been done before and better

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Theatre Review: Jodie beats all comers in Prima Facie

The Killing Eve star's stage debut is an important play, brilliantly acted, written and directed and with something worthwhile to say for itself

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Theatre Review: Marys Seacole is a perplexing piece that misses the mark

A play about Florence Nightingale and Mary Seacole is hectoring and polemical rather than a serious examination of a character and her motivations

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Theatre Review: The 47th is a yuge performance but a sad play

Bertie Carvel triumphs as Trump very much in spite of Mike Bartlett’s script, rather than because of it

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Theatre Review: The Fever Syndrome leaves audiences cold

Great set design created high expectations for this drama and it failed to live up to them

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Theatre Review: Project Dictator falls short of its promises

This production has promise but becomes a little too surreal when actors clown around to reveal a fearful reality

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Thank you to so many kind strangers for making our play a must-see

Bloody Difficult Women takes as its inspiration Gina Miller’s court case against Theresa May. We had a right to have our say

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Theatre Review: There is nothing rotten about the state of this Hamlet

This version adapted for younger audiences portrays the Shakespeare classic without patronising viewers while keeping adults entertained at the same time

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Theatre Review: Hang up on The Human Voice

Ruth Wilson is a serious actor, but this is a singularly boring piece of theatre

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Theatre Review: Jonathan Bailey rises to the occasion

Reasonably daring when first performed in 2009, Mike Bartlett's Cock now feels all mouth and no trousers

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Theatre Review: Small Island shows small ambition

The National's staging of Small Island shows a theatre that has now totally lost its way

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Theatre Review: This Henry V is the right play at the wrong time

Max Webster's production revels in warfare when his audiences are sick to death of it

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Theatre Review: Sondheim show lost in the woods

Andrew Keates' Steve isn't quite funny or sad or clever enough to command an audience's attention

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Theatre Review: Bride and prejudice

Nadim Naaman's adaptation of Khalil Gibran's novel Broken Wings is worth a lot more than the sum of its parts

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Paul Dacre: A bloody awful man

Writing a play about two female rivals led to a depressing realisation about who really wields power in Britain

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Theatre Review: Saturday Night Fever keeps the dream stayin’ alive

This stage adaptation of John Travolta's famous 70s film is magnificent, joyous, life-enhancing theatre

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Theatre Review: The Forest’s intelligence is just pretence

The production is absorbing. But is it quite as clever as it seems? and, where does French playwright Florian Zeller go from here?

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Theatre Review: Wuthering Heights delivers theatrical lows

The production is an example of a writer who is overcome by the sheer enormity of trying to put Emily Bronte on stage, says TIM WALKER

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Theatre Review: A Number is an Islington dinner party circa 2002

This play's stars do their best with a chatty, speculative and somewhat credulous script, says TIM WALKER

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Theatre Review: Doubt is strange, timely and profoundly thought-provoking

TIM WALKER is impressed by Lia Williams' taut and efficient production

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Theatre Review: Elizabeth McGovern is a haunting Ava Gardner

The Downton Abbey actress shows Gardner, rather than keeps telling us about her, writes TIM WALKER

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Theatre Review: The Glow does not glisten

Alistair McDowall's production is just incomprehensible, writes TIM WALKER

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Theatre Review: This Moulin Rouge lacks a soul

A stage adaptation of Pierre La Mure's novel lacks wit and intelligence, writes TIM WALKER.

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Theatre Review: Conundrum doesn’t even rate as highly as humdrum

At 75 minutes, this is a relatively short play. Nonetheless, you still find yourself asking “Is there much more of this?” writes TIM WALKER.

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Theatre Review: Force Majeure is on a downward slope

This play based on a 2014 film feels like unnecessary and somewhat frivolous theatre, says TIM WALKER

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Theatre Review: Cinderella is top-flight online entertainment

This online panto embraces the new format while keeping all the old traditions alive and well, says TIM WALKER

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Theatre Review: Best of Enemies is of debatable merit

James Graham’s plays feel as if they’re about little more than actors regurgitating vast quantities of Wikipedia, says TIM WALKER

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Theatre Review: Habeas Corpus is a welcome distraction from chaotic times

The play is as chaotic as the times we are living in, and offers some much needed laughter.

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Mandrake: Lord Brownlow is a friend in deed.

The former Tory Party vice-chairman may have had to chuck his own money into the Downing Street pit, but his own personal wealth is increasing by £26.5m this year. So, swings and roundabouts...

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Theatre Review: Trouble in Mind is a triumph

Powerful and poignant, the production is the National Theatre at its best.

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Theatre Review: Jack and the Beanstalk – what a Cracker Jack!

Producer Bill Kenwright understands that the theatre is a place to laugh, and no more so than after this last year.

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Theatre Review: Life of Pi leaves you wanting more slices

This mesmerising and captivating production is as breathtaking as the film.

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