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Tim Walker

Theatre Review: This As You Like It is spirited and sexy

The play divides critics, but this production will convert any punters

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Theatre Review: Hex is less a magic spell, more of a curse

The National's Christmas folie de grandeur is simply unforgivable

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Theatre Review: Orlando is a gleeful probe into gender

This adaptation of Virginia Woolf’s novel is funny, seditious, intelligent, courageous and beautiful

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Theatre Review: I just went along for the Glory Ride

The writing in Glory Ride – A New Musical feels raw and so do the lyrics, but this show has a fascinating yarn to tell

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Theatre Review: This Othello just lacks humour

It is genuinely startling and shocking that this is the first Othello from a black director at a major venue

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Theatre Review: This Elf should be left on the shelf

No amount of effort can get over this dime-a-dozen children's show's innate tiredness

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Theatre Review: This Christmas Carol brings joy in new Dickensian times

The enormously popular production of A Christmas Carol at The Old Vic. Photo: Manuel Harlan

Over the years this enormously popular production has taken on a life of its own

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Theatre Review: Anything With A Pulse is a sign of things to come

This pared-down production is theatre at its most basic and minimalist

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Theatre Review: The Sex Party fails to rise to the occasion

This farce is a limp, boring and painfully unfunny exercise in folie de grandeur

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Theatre Review: There are reasons you shouldn’t repeat plays

Amy Trigg’s play about life with spina bifida is a tremendous piece of writing and acting, but repeats are for television

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Theatre Review: This From Here to Eternity felt like eternity

The fundamental problem with this musical is that it just doesn’t really have any memorable music

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Theatre Review: Tammy Faye is drowned out by egos

A show about shallow people really shouldn’t be so shallow itself. Sadly, this production falls into this trap

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Theatre Review: Mary has moments of drama, but no big revelations

The play's 90 minutes pass effortlessly enough, but ultimately one was left feeling it was much ado about nothing

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Theatre Review: Watching Elephant creates unforgettable memories

Any attempt to explain this play will not do it justice. Just go and see it. It is simply wonderful

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Theatre Review: Marvellous is a celebration of chutzpah

This production has gotten Soho Place off to a marvellously, pun intended, good start

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Theatre Review: My Neighbour Totoro is a low point for British theatre

This adaptation of a Japanese children’s fantasy suggests the RSC will do whatever is necessary to get its finances back in order after the pandemic

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Theatre Review: The Band’s Visit restores faith in humanity

This is an important play, beautifully acted and performed

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Theatre Review: You should see The Doctor now

Juliet Stevenson is on spellbinding form in the title role of this long-awaited West End transfer

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Theatre Review: Good’s intentions are right

It’s a pleasure to see David Tennant back on stage, even if it has turned out Nazi again

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Theatre Review: Blues for an Alabama Sky is all style and no surprise

Pearl Cleage’s homage to the steamy plays of Tennessee Williams seems awfully contrived

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Theatre Review: The Boy With Two Hearts should be required viewing for Suella Braverman

The home secretary would benefit from seeing this story of a family fleeing their native Afghanistan

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Theatre Review: Eureka Day’s cynical anti-PC satire offers no alternative

There’s a lot about determinedly right-on people that invites ridicule, but Jonathan Spector's play misses the mark

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Theatre Review: The Crucible is a reminder of when theatres had courage

At a time when British theatre is curiously apathetic, this sumptuous revival reminds us what it should be doing: rallying for decency

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Theatre Review: Handbagged has lost its shine

A hit almost a decade ago, this production now feels like a joke in very poor taste

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Theatre Review: The P Word speaks to our times

Waleed Akhtar is a writer prepared to address issues head-on and with enormous clarity and courage

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Theatre Review: Antigone shows we are born to join in love, not hate

This production challenges politics, our values and the dystopia we are beginning to call normal with style and intelligence

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Theatre Review: The Snail House is self-indulgence at, aptly, a snail’s pace

It's a show filled with obvious and patronising themes. In trying to take on too much, it feels almost punitively long

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Theatre Review: Horse-Play is a show that simply drags on

This production misses the opportunity for laughs and instead its themes verge on patronising

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Theatre Review: Silence is a show with too much tell

This well-intentioned production, sadly, lacks any real drama

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Theatre Review: Treason is a contemporary take on an explosive plot

In normal circumstances this musical is the sort of thing that would have found a stage quickly enough and held on to it for months. These are not, however, normal circumstances

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Theatre Review: Gary Barlow requires a little patience

The Take That star is engaging, but a two hour 20 minute talk through his life story is quite the ask

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Theatre Review: This Wardrobe is malfunctioning

The best children’s shows manage to entertain both the children and their parents, but this production tries too obviously to get both on side and satisfies neither

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