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Tim Walker

Theatre Review: Winston’s war is strange and uneven

Adrian Scarborough and Stephen Campbell Moore in When Winston went to War with the Wireless. Photo: Manuel Harlan

Jack Thorne's telling of an early BBC struggle is unfocused, often boring and poorly realised

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Theatre Review: Love changes everything… except this show

An Aspects of Love revival feels uncomfortable three decades on

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Theatre Review: Misguided Mountain fails to move

The stage version of Brokeback Mountain is well-meaning, well-acted and well, pointless

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A triumphant tale of love and Haiti

1990s musical Once on This Island gets a sensational revival

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A corpsing comedy that deserves its cult hit status

Based on a WWII deception that fooled the Nazis, Operation Mincemeat is a deft pastiche

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Mark Gatiss takes his cue from Gielgud

Many TV comedy actors come a cropper when they turn to serious stage roles, but the League of Gentlemen star captures Sir John magnificently

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The test of the moral man

A new play about Sidney Poitier is a fitting allegory for our immoral times

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Theatre Review: Private Lives is the Donmar at its very best

Noel Coward's play is funny now in a way that is tragic

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Theatre Review: This Winnie the Pooh is a bear necessity

This musical is a joyous explosion of colour, light and good humour

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Theatre Review: Black Superhero is good-looking but skin deep

There’s almost certainly a great play to be written about gay black and mixed-race men but this sadly isn’t it

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Theatre Review: Anarchic comedy is disturbingly timely

It’s nothing short of terrifying that Tom Basden has managed to shift a story of Italian police corruption so effortlessly and convincingly to a metropolitan police station in this country

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Theatre Review: This Marjorie is in her prime

A triumphant production about life, love, growing old and dying has absolutely restored my faith in theatre

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Theatre Review: Ensemble cast shines in slice-of-life drama

Sleepova is one of those free-flowing, slice-of-life dramas that, with a no-frills staging, places a vast amount of pressure on the individual actors to make something of their parts

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Theatre Review: This Bonnie & Clyde is criminally time-consuming

It’s clear everyone has tried very hard to make this show work. They failed

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Theatre Review: Shirley Valentine revival serves up stale taramasalata

The story of a bored Liverpudlian housewife finding love on a holiday to Greece now feels very dated

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Theatre Review: This Oklahoma! is so not a beautiful evenin’

This has been said to be a dark reimagining of the old classic, but it is taking the word too literally

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Theatre Review: An arrogant attempt to rewrite Shakespeare

If we’d been allowed to judge it on own terms, Rachel O’Riordan’s production works perfectly well as a slice-of-life drama

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Theatre Review: Trouble in Butetown is intelligent and compelling

This is an atmospheric drama set during the second world war in a claustrophobic boarding house not far from Cardiff Docks

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Brexit has wrecked your enterprise

Star Trek actor George Takei still finds much about British politics highly illogical

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Theatre review: Casting a wider light on the history of Britain

This musical set on an estate in Sheffield charts the changing times of these islands

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Theatre review: Beverley Knight shines in misfiring suffragette musical

Sylvia fails to live up to its billing as the serious rival to Hamilton it was originally intended to be

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Theatre Review: Phaedra collapses under the weight of its own pretentiousness

With its central theme of doomed, forbidden love, it is also a pretty odd play to put on around the time of Valentine’s Day

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Theatre Review: The Lehman Trilogy is three hours of perfection

This play is a joyous celebration not just of great writing and acting, but also of the art of theatricality

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Theatre Review: This lemon lacks zest

Two big names can't mask the fact that Lemons Lemons Lemons Lemons Lemons is ponderous, pretentious piffle

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Theatre Review: This is quirky, idiosyncratic, brave – and great fun

Rob Madge's moving story of their relationship with their father is a reminder of Kenneth Williams

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Theatre Review: This joke isn’t funny anymore

A comedy which seemed fresh and inventive many years ago now seems limp and hackneyed

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Theatre Review: Allegiance is greater than the sum of its parts

A musical inspired by George Takei's early life has a tremendous emotional charge

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Theatre Review: The Shawshank Redemption shows the power of friendship

No one knows more about touring than Bill Kenwright and his production of The Shawshank Redemption is a typically accomplished affair

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Theatre Review: Watch on the Rhine is a warning from history

This production of Lillian Hellman’s play once again makes the point that the Donmar Warehouse is a centre of theatrical excellence

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Theatre Review: Kerry Jackson is Carry On Class Warfare

This play seems to want to challenge stereotypes, but inadvertently and ridiculously reinforces them

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Theatre is going to need grace under pressure in 2023

It looks as if it’s going to be another challenging year for theatre, but there is certainly a lot to look forward to

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Theatre Review: Paradise Now! is too much of a good thing

There isn’t a member of the cast who isn’t firing on all cylinders but, at two-and-a-half-hours, this portrayal of telesales women feels much too long

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