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Florence Hallett

Dissent and dumplings: Served up at the Istanbul Biennial

The Istanbul Biennial rediscovers a tasty old way to beat restrictions on freedom of expression

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Picasso, the world’s most stolen artist

Why the most celebrated painter of all time is a criminal’s dream come true

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Art goes private: Why the rich want their own spaces

As a new collection in Vienna shows, the rich have stopped lending art to public galleries, and are opening their own spaces instead

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Fujiko Nakaya: A vision through the fog

Fujiko Nakaya: Nebel Leben is the first comprehensive survey exhibition of the visionary sculptor outside of Japan

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A white elephant trumpets its success

Hamburg’s £740m concert hall went wildly over budget – but it is an overwhelming hit with visitors and locals

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Mice that roar: an everyday tale of determination

Tiny sculptures made by an 85-year-old tell an epic tale at the Venice Biennale

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No more Mr Venice Guy: the Biennale casts off its male, pale past

Russia is absent from this year’s edition of the world’s biggest international art exhibition. But the main talking point is a decisive move away from domination by white men

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The vanishing of Bice Lazzari

Celebrating a lost modernist pioneer

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Raw beauty finds a home in a wild Galician port

An exhibition of fashion photography on A Coruña’s industrial dockside is a gift to the city. By FLORENCE HALLETT

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Shiny, shallow and rich: The case for Qatar’s cultural ambitions

FLORENCE HALLETT examines the Gulf state’s thriving cultural scene

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Edmund de Waal: A man of letters

After the success of The Hare with Amber Eyes, potter and writer Edmund de Waal returns with an exhibition and book of fictional letters about a journey through grief.

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The last days of the genius Vincent van Gogh

The promise of a fresh start, followed by a stunning burst of creativity – and then the full stop of his final act.

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The genius, and lies, of Joseph Beuys

On his centenary, Germany’s best-known post-war artist remains as influential – and contentious – as ever.

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Hondalea: Where art can be found amidst the abyss

A stunning new sculpture in a disused Spanish lighthouse seems to offer a portal to the earth’s core.

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The tale of how Picasso’s art went primal

FLORENCE HALLETT investigates how the painter’s discovery of ancient Iberian art changed his work forever.

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Was Nero the victim of a conspiracy?

Marble bust of Nero. Italy, around AD 55. Photo by Francesco Piras. With permission of the Ministero per i Beni e le Attività Culturali e per il Turismo ̶ Museo Archeologico Nazionale di Cagliari.

The uncaring tyrant of legend may actually have been a pragmatic politician betrayed and then belittled by his opponent

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Napoleon the art thief

A new book and exhibition focuses on the emperor’s appetite for the paintings and sculptures of the lands he conquered.

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How David Hockney is springing back

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The rebirth of Francis Bacon

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The art of human touch

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Henri Matisse: An artist fascinated by the written word

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The creativity that survives in North Korea’s repressive state

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From page to canvas: the reading and writing of Vincent Van Gogh

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Jacques-Henri Lartigue: The man who captured the world as it sped up

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Altered reality: The artwork of Jan van Eyck

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The artistic spirit that could not be silenced by the Nazis

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Culture clubs: The bohemian nightclubs and cabarets that shaped modern art

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Paul Cézanne: The master to Picasso and Henri Matisse

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Mega manga: Why the traditional artform is perfectly suited to the digital age

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FLORENCE HALLETT: A colourful history

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FLORENCE HALLETT: Watching the Watchers

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John Ruskin: the revolutionary reactionary

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