Skip to main content

Hello. It looks like you’re using an ad blocker that may prevent our website from working properly. To receive the best experience possible, please make sure any ad blockers are switched off, or add https://experience.tinypass.com to your trusted sites, and refresh the page.

If you have any questions or need help you can email us.

Bonnie Greer

Which Hollywood villain is Trump?

One Bad Guy denouement makes me think of the Republican Party’s candidate for POTUS

Read the full article

Why Kamala Harris picked a coach

As cinema shows, the coach has a kind of sacred space in American life

Read the full article

When hillbillies hit Hollywood

Hollywood vintage has produced films of varying quality about hillbilly people. Its masterpiece, of course, is John Ford’s The Grapes of Wrath

Read the full article

Fear of a female president runs long and deep in cinema

Women presidents in film get into all kinds of trouble, mainly because they’re not at home taking care of their kids and cooking for their husbands

Read the full article

How to know when it's time to go

It is a great virtue, and a great gift as well, to know when to stop. Especially when you’re at the top

Read the full article

The conundrum of shooting assassination movies

The cinema looks at the clash of realities that is the US – and makes movies out of it

Read the full article

How The Citadel changed history

King Vidor’s film helped put Labour into government

Read the full article

Why Wilson was one of the most boring films in cinema history

It was so dull that Churchill made his excuses and went to bed in the middle of it – even though it was screened especially for him

Read the full article

Why it was RIP for RP

Received Pronunciation was the epicentre of how you had to talk in British plays. Then a play called Look Back in Anger by John Osborne arrived

Read the full article

Monsters are one of the conundrums of great art

A person considered to be a kind of sexual demon vis-a-vis his actors male and female can also make beautiful, great films

Read the full article

Audrey Hepburn, the famine survivor who lit up the screen

Hepburn had come to know early on that delicate thread between life and death. And that she had survived

Read the full article

Jack Cardiff, a poet of the cinema

The cinematographer not only understood what a camera is meant to do, he visually understood what cinema should do

Read the full article

Cinematic paradoxes

Many actors, in real life, are the opposite of who they portray or seem to be

Read the full article

Vote Gaza, get Trump

Of course American students have the right to protest over Gaza. But what happens as a result may put Donald Trump back in the White House

Read the full article

French cinema in wartime

In her elusive beauty and skill, Arletty was the rival to Garbo

Read the full article

The films which caught the times of 1968

In 1968, three films caught the times in different ways. And they all starred women

Read the full article

High Noon was a portal for the new cinema to come

Fred Zinnemann’s classic Western is full of tired, scared, cynical people. In that, it is like a Godard or a Cassavetes

Read the full article

Jean Harlow always said what needed to be said

There was always something vulnerable about her, something half-said, the rest buried somewhere deep and inaccessible

Read the full article

Bonnie Greer’s Vintage: How Roberto Rossellini gave us the real Rome

Quo Vadis is fun but Rossellini's neorealism showed us Rome as it was

Read the full article

Bonnie Greer’s Vintage: Orson Welles would have loved the trial of Trump

Both Welles and Frank Capra were masters of portraying the crooked side of the American Dream

Read the full article

Bonnie Greer’s Vintage: Joseph L Mankiewicz

Joe gave women agency, even if they were wearing an apron; even if they were frightened about losing a man

Read the full article

Bonnie Greer’s Vintage: Gregg Toland

One shot tells you everything about this immortal cinematographer

Read the full article

Bonnie Greer’s Vintage: Stereotypes

Vintage cinema abounds with stereotypes, and it is the hardest element of the genre to watch

Read the full article

Badenoch’s trivialising of racism may make her Tory leader. But at what cost?

The Tories’ response to Frank Hester’s racist comments must signal a turning point for the country

Read the full article

Bonnie Greer’s Vintage: Frank Capra

A Frank Capra picture always embodied what Abraham Lincoln appealed to in US citizens: “The better angels of our nature”

Read the full article

Bonnie Greer’s Vintage: Fred Astaire

In the Top Hat dance sequence we see a master dancer at the top of his game

Read the full article

Bonnie Greer’s Vintage: Garbo and Poitier

The Face is the real storyteller in vintage, and the close-up its greatest tool

Read the full article

Bonnie Greer’s Vintage: Billy Wilder and the spirit of Weimar

Beneath Weimar, beneath that endangered republic, was always the sense that life was fleeting

Read the full article

The enduring lesson of All the King’s Men

Robert Rossen’s classic is a reminder to Americans that dictators don’t work for the people – they use them as a tool

Read the full article

The beauty and genius of Cary Grant

There is no question in my mind that Grant is the greatest film actor of all time

Read the full article

How four Brits unleashed America’s hidden anarchy, 60 years ago

The Beatles gave young Americans gold standard permission to be different from their parents

Read the full article

Silos of hierarchy are holding Britain back

The House of Lords, where real monarchy lies, must be abolished

Read the full article